“All the Bright Precious Things Fade So Fast…” Guest Hosting for #WQWWC

Tags

#WQWWC, Black and White, Change, Experimental, Nature, Photography, Quotations

“There were hints of sunrise on the rim of the sky, yet it was still dark, and the traces of morning color were like goldfish swimming in ink.”― Truman Capote, The Muses Are Heard 

“I imagined the wind moving through all these places, and many more like them: places that were separated from one another by roads and housing, fences and shopping-centres, street-lights and cities, but that were joined across space at that time by their wildness in the wind. We are fallen in mostly broken pieces, I thought, but the wild can still return us to ourselves.”― Robert Macfarlane, The Wild Places

“It’s better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes.”― Truman Capote, Breakfast at Tiffany’s and Three Stories

“We all commit our crimes. The thing is to not lie about them — to try to understand what you have done, why you have done it. That way, you can begin to forgive yourself. That’s very important. If you don’t forgive yourself you’ll never be able to forgive anybody else and you’ll go on committing the same crimes forever.”― James Baldwin, Another Country

“All the bright precious things fade so fast, and they don’t come back.”― F. Scott Fitzgerald, The Great Gatsby

“At their very feet had been the river. The boat came breasting out of the mist, and in they stepped. All new things in life were meant to come like that.”― Eudora Welty, The Optimist’s Daughter

“The average personality re-shapes frequently, every few years even our bodies undergo a complete overhaul-desirable or not, it is a natural thing that we should change.”― Truman Capote, Breakfast at Tiffany’s and Three Stories

“Oh! The long, long walks, way into the nights!–in the afterhours—sometimes lasting till two or three in the morning! The air, the stars, the moon, the water—what a fullness of inspiration they imparted!–what exhilaration! And there were the detours, too—wanderings off into the country out of the beaten path: I remember one place in Maryland in particular to which we would go. How splendid, above all, was the moon—the full moon, the half moon: and then the wonder, the delight, of the silences.”― Walt Whitman

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“Life need not be easy, provided only that it is not empty.”― Lise Meitner (1878-1968), physicist

Happy Midweek, everyone. The above was created for Marsha Ingrao’s Always Write: Writer’s Quotes Wednesdays Writing Challenge (#WQWWC).

This week’s theme: Change.

I invite you to accent your own post with a quotation or two that evokes a sense of change for you.

Here is further information on How to Participate in the Wednesday Writers Challenge.

Last week, Yvette of Priorhouse Blog hosted for #WQWWC. Here is Yvette’s wonderful post on persistence.

Thank you for drizzling by,

Autumn Jade

Steps that Rap like Rain, Guest Hosting for #WQWWC

Tags

#WQWWC, Abstract, Black and White, Cinema, Existence, Experimental, Florida, Grief, Hope, Nature, Night, Ocean, Photography, Quotations, Sunset, Water, Writing

I gaze into jukebox skies.

Sun-blotted days have bleached my shoulders. My mane is turning white. Hunch-backed, I grasp a scallop-shelled walking-stick, ambling along on driftwood legs.

“My characters are drifters and searchers and they look for something. The journey is a state of mind for them.” ―Wim Wenders

Details peel from my face and trickle away into the citrus breeze.

(Sometimes, I can hear atomies skitter across the metalled sands of apathy.)

“The mind is its own place, and in itself
Can make a heaven of hell, a hell of heaven.” ―John Milton

A froth of dinoflagellates sparks electric blue ‘round my stubble-feet. Each step is measured, defying suction as I trace along the arrow of time.

“It all looks the same. You can’t imagine anything anymore. Above all, you can’t imagine any change. I became estranged from myself. All I could imagine was going on and on like this forever.” ―Alice in the Cities, 1974, Written by Wim Wenders and Veith von Furstenberg

(There’s a black maw gaping in the back of my brain.)

“Today was a gloomy, rainy day without a glimmer of sunlight, like the old age before me. I am oppressed by such strange thoughts, such gloomy sensations; questions still so obscure to me are crowding into my brain- and I seem to have neither power nor will to settle them.” ―Fyodor Dostoevsky, White Nights

I used to retreat into the zebra-striped dusk beneath the sagging porch of childhood. Heaps of detritus gathered ‘round like friends- termite-mounds of frass, sparrow bones, and mulberry seeds.

(The subtle sounds of decay became my life’s refrain.)

“Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I’m one.” ―Ray Bradbury, Dandelion Wine

Mewling cries swarm like midges inside my weltering mind. I turn away from the virason gasping off the sea.

Flailing like a killdeer, I struggle toward the lavender dunes. A wide yellow moon grins overhead.

“I don’t take care of myself. I think, if I don’t take care of myself and I sit still and I don’t move, maybe they’ll forget about me. But then I’m scared of that too, because I think maybe if I sit there too long, maybe when I want to move, I won’t be able to move.” ―Mikey and Nicky, 1976, Written/Directed by Elaine May

Memory microfilms at the margin: Coarse sheets forming little mountain ranges of wet, crimson-black spires. Cloven hands of ivory clacking against shiny metal bars. Hillocks of pillows burning like red coals against a dried-leaf body.

“Sweet is sweet, bitter is bitter, hot is hot, cold is cold, color is color; but in truth there are only atoms and the void.” ―Brian Greene, Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe

I can hear the wail of a train from across the lagoon, punctuating the still-water-night. The cloistered whine of mosquitoes quickly throttles the noise. And then, the sound of my quickening steps.

“A lot of people enjoy being dead. But they are not dead, really. They’re just backing away from life. Reach out. Take a chance. Get hurt even. But play as well as you can. Go team, go! Give me an L. Give me an I. Give me a V. Give me an E. L-I-V-E. LIVE! Otherwise, you got nothing to talk about in the locker room.” ―Harold and Maude, 1971, Written by Colin Higgins, Directed by Hal Ashby

Steps that begin to rap like rain. And thunder through the frenzied lights of the howling causeway. Steps that are heading north.

“I’m glad we went to the Rhine. For the first time I see myself…as someone who’s gone through a certain time, and that time is my story. [Pausing] That feeling is quite comfortable.” ―Kings of the Road (Im Lauf der Zeit, “In the Course of Time”), 1974, Written/Directed by Wim Wenders

Determined to run into myself again.

“We all talked about leaving, but only one of us, one morning, without a word to a soul, actually left.” ―I Vitelloni (“The Bullocks/The Layabouts”),1953, Written/Directed by Federico Fellini
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A little over a year ago, I traveled north and did something I’d never done before. Toured a series of universities.

Here’s to new beginnings.

“I have to go on makin’ a livin’…so I can die.” ―Pickup on South Street, 1953, Written/Directed by Samuel Fuller

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This effort was created for Marsha Ingrao’s Always Write: Writer’s Quotes Wednesdays Writing Challenge (#WQWWC).

This week’s theme: New Beginnings.

I invite you to accent your own post with a quotation or two that expresses your own sense of New Beginnings.

Here is further information on How to Participate in the Wednesday Writers Challenge.

Previous contributors to last week’s theme, Celebration:

• It’s Tradition by Myrna Migala
• Here Comes the Holiday Season by Tina Schell
• A very Merry Christmas by Sadje
• Beach Walk Reflections by Frank who included some music via YouTube Fantasia on For All the Saints

Thank you for drizzling by,

Autumn Jade

Song by Improved Sound Limited, from Kings of the Road

The Vitreous Surface of Grief: And, a Death on Halloween

Tags

Abstract, Black and White, Dark Humour, Death, Experimental, Music, Nature, Photography, Prose, Quotation, Swamp

“Will I always feel this way?
So empty, so estranged?”
– From the song “Empty” by Ray Lamontagne

Shadows spill in green tendrils across oiled waters. I probe the murky, moschate depths with a long, soggy stick. My hands are black and muddied. Reeds whistle beside me. A seagull mews somewhere far away. Minims of sweat glisten and drop from the end of my nose. I can taste the paracme, the tongue-slitting, nascent edge of the end.

A frog burbles to the vitreous surface. Two aurific eyes shimmer at me, bright as egg-yokes. With a gulp, they vanish. I can smell slime. My fingers balter through the mud. I am waiting. I am always waiting.

The sun spits in my eye and I turn away, longing for the tenebrous clouds of the foggy North to sidle down and cast me in a casket of embalming gloom.

I am addicted to desolation. I ache for darkness, cold and decay.

And then a cool wind finally came. Its chilled fingers ruffled my hair and it made the back gate moan plangorously against its flaking hinges. I reveled, I pranced, I forgot my little pain.

A mouse came in the night. He settled himself in a soft, grey ball beside my feet, nose nuzzling the coarse, back-door rug. I watched him take slow, solemn breaths, his sable eyes squinting, mordant. He died in the wash of a final sunrise that milked across a violescent sky, on the dawn of Halloween. Creatures come to me to die, sometimes.

The ants are burrowing into his raisin eyes, now. In a week or three, his tiny white mouse skull will be decoration on my desk.

There is always a glimmer through grief.

“Walk on down the hill
Through the grass grown tall and brown
And still it’s hard somehow to let go of my pain
On past the busted back
Of that old and rusted Cadillac
That sinks into this field collecting rain”
– From the song “Empty” by Ray Lamontagne

Spotted Only with a Magnifying Glass

Tags

Abstract, Experimental, Nature, Photography, Poetry

She is spotted only
with a magnifying glass,
an animalcule
with limescaled wings
And a dusky face.

Clinging to
a breathing blade
of dancing
chloroplasts,
she sees
the fractals flash
in a fury of green-
the mosaics of her
shieling sea.

The dawn scatters
in a migraine of hues,
the aurific daal’mist
sibilant around this
unseen and muted thing.

Waiting to be flicked
by a snapping finger
of prairie wind,
she watches the world,
as listless as a carcass,
through a cage
of tangled light
and vying stems.

Another Twilight Hanging

Tags

Black and White, Experimental, Florida, Moon, Nature, Night, Noir, Photography, Prose, Thoughts, Water, Writing

I saw a coyote last night. There was a tattered hole in his left ear. I almost missed him, perched there on the porous sidewalk, his lemon eyes glazed in the orange glow of the streetlight, his tumbleweed tail thumping soundlessly.

I shuffled on, my shins swishing like plastic bags.

I noticed a glint of black blood on the pavement. Just a drop or two.

They shoveled up the rest of my remains, yesterday morning. I listened to profanities slung by the strident tongues of the Grey Men. They chipped at the concrete. I listened to their shovels scrape and scratch.

“Smells like hell but at least I’m not coughin’ up flies,” one said to the other, his shovel dripping.

“I ain’t seen a single maggot,” the other agreed, and nodded, digging back into the heap.

There was a groan and a metallic suction and crunch accompanied by the blinking back-up beeps of the garbage truck.

I felt a seizure welling up.

A mockingbird attempted to conquer the din. Ten years swam by. Hoarse and vanquished, I watched him fly against the watery-brown sky and vanish.

I once held a baby bird, a couple summers ago. The tiny creature, lighter than a fistful of sunflower seeds, quivered violently with life and burned my hand. I dropped it. Just before the cat pounced, I plucked it up again and set it in the sink.

Its eyes, like two drops of midnight, leered up at me, its pale neck of string nearly snapping- and with a peculiar rictus grin splitting its face apart, it commenced its screams for sustenance.

No harm done.

Some scraps from my corpse never quite made it into the truck. Some pieces were never going to budge.

A slurry of vultures descended for inspection. They poked and rasped and then looked at each other in disgust.

I watched them shrug and mount the bilge-water sky in a flurry of razor-black wings. Even the scavengers reject my remains.

The sun is pooling on the horizon now, in the garden of ales. Bottles glitter, poking up from the mud like stakes. Another wistful twilight hanging, the air sharp with the scent of broken twigs.  The faceless doll in the background keeps spinning, dangling from the thumb of a branch.

The moon sweeps over. Distant lights yawn. The clouds are shorn by a gust of oven wind.  I see the coyote again, stretching in the middle of the road, his ear whistling. I whisper a muffled apology to him- though, I know not why.

He gives me a lopsided look, his lemon-ball eyes in slits. A carnivorous smile swims across his inky lips.

A hiss of headlights reflects on a fleck of bone. I become encompassed in a warm deluge. I stare up from the bottom and allow myself to drown.

The ripples above never seem to end.

Fade to Grain…

Tags

Abstract, Black and White, Experimental, Florida, Grain, Lizard, Nature, Odd, Photography, Rain, Wandering, Writing

Olitory rain; a rain-forest in the kitchen, again. Time for a change. Time for an adventure. Time to let the ceiling-cascade water the counter-top-basil-and-sage.

Time to escape.

“Time runs along a linear plain, they say. Nothing remains the same. Thus, we can never turn back, again.”

Pompous, highfalutin windbag…

Another dull interplay as Traffic Light refuses to change.

“You see, this is known as the arrow of time, which describes the asymmetrical nature of Time, and…”

Please…Eat your…

GREEN.

Bunched traffic left in a puddle, behind.

What am I doing? What have I been doing all these years?

Unraveling like an old sweater.

All my life, pushing quaint little notes under the slouching fence.  But I see no familiar, vibrant-faced recipient peeping back at me through the shadowy gap in the moldered boards. I only see darkness.

She must have grown up and moved away.

How pretty mold can be, as it glitters in the rain.

She used to snack on fistfuls of buttercups in the field and make her eyes turn white.  She liked to snarl like a mountain bear and play basketball on roller-blades.  And how she loved wild toads.

I have found it- another abandoned place to jauk about, dispensing disheveled, nullibiquitous thoughts out into the ether.

Let the leak in the dysphoric sky wash me like a houseplant.  How lovely to watch each drop scatter the dust.

That liminal phase- I wander through a succession of tropical depressions, a soggy bindle sagging over my shoulder.

A golden-eyed hobo toad searching for a secluded little hovel- preferably filled with mud and rain and, preferably, beneath a mossy stone.

A snort of lightning- a sniffle in the clouds- a sneeze of wind.

When is that point at which the pain of change is less than that of remaining the same?

“You’re beautiful,” she said, “and as gentle as a gale.”

The other day, I noticed that I was missing another tooth.

I keep digging under that same old soggy fence, searching for her bones…

I scuffle away, lutose and mildly bemused.  The usual state.

Time to face the traffic.  Time to shuffle on back, back to the swampy garden on the counter-top.  Back to unraveling into a stringy bundle on the floor.

Back to Entropy.

Fade to grain.

Sometimes, Silence is Reckless…

Tags

Addiction, Black and White, Depression, Experimental, Florida, GIF, Grief, Introspection, Nature, Poetry, Prose, Video, Writing

(Some experimental refractions.  Thank you for drizzling by.)

The clattering waves. The intractable sky. Mute again, with gloomy grey eyes. A bit of bone cuts into my thumb. A touch of wind whispers through decaying feathers. I do not remember the last thing I felt before the embalming.

Sometimes, Silence is reckless.

My mind is fossilized. As lively as the oldest stone. I lean back on the retracting cushion of Entropy, and gaze blankly toward the heavens. How dazzling is this thatch of scattering sparrows; how enchanting their dance of dewdrop shadows.

Thorny bliss is this mindlessness, oblique amongst the dried thistle and snapping bramble. I can vaguely hear it, somewhere wrapped in gauze; a little Life fizzing at the bottom of the quiet stream, beyond.

Like a mosquito, I insert a needle into it, now and then.

It is easy to forget the threat of a wave’s smooth caress, that its languorous massage of oblivion is still a form of erosion.

When I was a child, my favourite thing to draw was a noose.

He rang the other night. I could hear that his lips were cracked and bleeding. He wept and begged forgiveness, but I had never felt slighted to begin with. Yet, my response was blank-eyed silence. There was only the sound of the restive wind moaning through the eaves to answer for me.

How stealthy a foe is this stifling captor; like a cashmere cloud, its downy coolness yawned over me. Its strangeness seemed safe, nestled inside its gossamer embrace, bound in a world without senses or thought. I am far too gone to feel alarm, now.

Sometimes, love is just impotent rage that is a little too tired to bear its bulbous face.

What an obdurate knot Shame so deftly creates, twisting away, as the years smoothly slip by, pressure mounting against my spine.

Regaining a pulse requires resurfacing. To drag the bloated body from the turgid depths. To pry open its chalky eyes, exposing them to the bone light of the wild ocean sky, above. To kiss its mucid, slimy visage and blow through its cold stringy-white lips.

To let the cherry rivulets of pus and water drain from the self-inflicted punctures.

I do not know if I will dry out, chafe these wrists, and feel again. I despise the sound of my own voice, the rattle and scrape of my defunct brain and the trepid rasp of my rusty breath.

Sometimes, though, Silence can be much deadlier than the noose.

Sunday Foundling- Images in Polaroid

Tags

Black and White, Experimental, Nature, Photography, Polaroid, Prose, Thoughts, Writing

(It was a bleary kind of day, today, and I finally summoned the courage to take the Polaroid Land Camera for a wee walk. Experimental photos below. Thanks for drizzling by.)Dull nolition chimes within his pebble eyes, staring limply into polished shadows. The frowzy sky curls up against the grey toothy waves. Metallic reflections fuse and break and scribble away. The air tastes like a bike chain. Cold and caustic, it coils about his neck. Steel hands chomp at the gargling shore. Water blinks, trapped inside asphalt ridges.

A drunkenness stirs; a kind of dizzying noddary. A vagrant smile flutters about his yarn-thin lips. He tries to lick away the sting of mist rising from the river’s snapping fingers.The swaddle of December wind nuzzles and kisses the little foundling’s wet, lutose face. The depths that loom beyond beckon. Only the Quiet awaits.

Pastel Sadness

Tags

Black and White, Experimental, Florida, Grain, Grief, Melancholy, Nature, Ocean, Photography, Poetry, Sadness, Sea, Sunset, Twilight

In a fatal blue fugue,
she bruises
the edge of an hour.

She swallows the
Evening’s clear cries
of dark-dipping gulls

flung across the sunken wound
of Sunset.

Her brash toes dissolve through
the wrinkly-white
sibilance of quiet Tide;

her cloudy dress of Pastel Sadness
dragging carelessly behind.

A summer child is Twilight,
as overhead, Night begins to swim.

And in a rasp of
Rain-stung wind
she mutters something soft
and inarticulate
as she kicks away
the last cherry shadows
of an old rusty day.

The Harbour

Tags

Beauty, Black and White, Boats, Experimental, Florida, Harbour, Moment, Nature, Peace, Pensive, Photography, Sadness, Sea, Story, Sunset, Thoughts, Writing

The harbour lay bare and waiting. I strayed from the Sun, looming in the underbrush, gazing out at bony masts and old tattered umbrellas, dangling in the languid breeze. The wind turbines purred softly as towers of crisp white cloud dripped into dark sinuous waters. A blue darner hummed beside my ear, my mind strewn with white petals, my eyes reflecting mischief. I waited there, hidden, beside the chafing dock, and watched as boats groaned in and out, as the dolphins played and the clouds grew dark and bruised in the distance.

And at last I crawled out, and was overtaken by a Sea-Faring-Man. He gazed at me with soft, sagging eyes of crackling blue, shimmering through a russet, canyon face. And then he stepped into his lopsided vessel and slowly glided away without a word, sunlight pounding into his white-cotton back. And as I watched him, snaking reflections dancing along the rim of consciousness, I perceived something all too familiar in that depth of grief, that lesion of sadness, that seems to ever-dwell in Beauty…